sun 19/05/2024

Boyd Tonkin

Articles By Boyd Tonkin

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in-the-Fields review - Beethoven, younger than springtime

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Coote, LSO, Tilson Thomas, Barbican review - the triumph of life

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Queyras, Philharmonia, Suzuki, RFH review - Romantic journeys

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Aci by the River, London Handel Festival, Trinity Buoy Wharf Lighthouse review - myths for the #MeToo age

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Josefowicz, LPO, Järvi, RFH review - friendly monsters

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Bach's Easter Oratorio, OAE, Whelan, QEH review - the joys of springtime

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Winterreise, Clayton, Aurora Orchestra, Collon, QEH review - new maps for the great journey

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theartsdesk in Strasbourg: crossing the frontiers

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The Magic Flute, English National Opera review - return of an enchanted evening

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Manon Lescaut, English Touring Opera review - a nightmare in too many ways

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Lugansky, Strasbourg Philharmonic Orchestra, Letonja, Cadogan Hall review - Russian soul, French flair

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Segev, LPO, Lyniv, RFH review - melody, magic, and mourning

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Williams, Kenny, Wigmore Hall review - an afternoon of early-Baroque bliss

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Gerhaher, Huber, Wigmore Hall review - new colours from old favourites

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Polyphony/OAE, Layton, St John's Smith Square review - truncated triumph

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London Handel Players, Butterfield, Wigmore Hall review - Bach with bite for Christmas

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Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...