sun 19/05/2024

Helen Hawkins

Articles By Helen Hawkins

Blue Lights Series 2, BBC One review - still our best cop show despite a slacker structure

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Banging Denmark, Finborough Theatre review - lively but confusing comedy of modern manners

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Baby Reindeer, Netflix review - a misery memoir disturbingly presented

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The Book of Clarence review - larky jaunt through biblical epic territory

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Player Kings, Noel Coward Theatre review - inventive showcase for a peerless theatrical knight

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Back to Black review - rock biopic with a loving but soft touch

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Gunter, Royal Court review - jolly tale of witchcraft and misogyny

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Ripley, Netflix review - Highsmith's horribly fascinating sociopath adrift in a sea of noir

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MJ the Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside

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Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic again

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Drive-Away Dolls review - larky lesbian road movie with some iffy gear changes

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Janey review - fitting punchline for a contentious comedian

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Origin review - bursts of brilliance in an unwieldy frame

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Lisa Frankenstein review - a bitchy trawl through the high-school horror movie back catalogue

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The Human Body, Donmar Warehouse review - Keeley Hawes and Jack Davenport excel in an intriguing staging

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Cable Street, Southwark Playhouse review - engaging new musical in an impressive staging

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The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...