sun 19/05/2024

Helen Wallace

Articles By Helen Wallace

First Person: Kings Place Artistic and Executive Director Helen Wallace on a year of 'Sound Unwrapped'

Read more...

Planting seeds for change: Helen Wallace on a year of seminal events at Kings Place

Read more...

Explore Ensemble, EXAUDI, St John's Smith Square review - making sense of Nono

Read more...

Joseph Houston, St John's Smith Square review - masterful MC in the theatre of piano

Read more...

Schumann Street, Spitalfields Festival review - illumination on a winter's night

Read more...

Huddersfield Contemporary Music Festival review - new generation throws down the gauntlet

Read more...

Silver Birch, Garsington Opera review - gritty drama in the Chilterns

Read more...

Simplicius Simplicissimus, Independent Opera

Read more...

Steve Reich at 80, Barbican

Read more...

Icebreaker and BJ Cole, Milton Court

Read more...

Stravinsky: Myths and Rituals 5, Philharmonia, Salonen, RFH

Read more...

La Canterina, Classical Opera, Page, Wigmore Hall

Read more...

Prom 53: Stadler, RLPO, Petrenko

Read more...

Proms at...Roundhouse: London Sinfonietta, Gourlay

Read more...

Prom 25: Gerhardt, Komlósi, Relyea, RPO, Dutoit

Read more...

The Hogboon, LSO, Rattle, Barbican

Read more...

Pages

latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...