book reviews and features
Jonathan Kennedy: Pathogenesis - How Germs Made History review - a return to the infections that formed usFriday, 14 April 2023
The Cayapo tribe, a shade under 10,000 strong, lived in South America unacquainted with humans in the wider world until 1903. That year, they accepted a missionary who, along with news of... Read more... |
Loving Highsmith review - documentary focused on the writer's lighter sideThursday, 13 April 2023
Since her death in 1995, Patricia Highsmith has prompted three biographies, screeds of often conflicting psychological analysis and now this... Read more... |
Diana Evans: A House for Alice review - lyrical sequel to Ordinary PeopleTuesday, 04 April 2023
Diana Evans specialises in houses, their baleful quirks and the meaning of home. In her acclaimed third novel, Ordinary People (2018), formerly happy, black couple Melissa and Michael... Read more... |
Colin Herd and Maria Sledmere: Cocoa and Nothing review - arts of sinkingSaturday, 01 April 2023
In his mock-poetic manual Peri-Bathos (1728), Alexander Pope opens by describing the afflictions which beset inhabitants of the lower Parnassus. The aristocracy living further up the... Read more... |
Seraphina Madsen: Aurora review - the tarot won’t save usTuesday, 28 March 2023
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat. Lecturing a teenage coven on the art... Read more... |
Margaret Atwood: Old Babes in the Wood review - bookending the short storyTuesday, 14 March 2023
Margaret Atwood has been writing for sixty years now, and, with her latest publication, she has given us a book... Read more... |
Janet Malcolm: Still Pictures - On Photography and Memory review - a rare glimpse at a guarded personal historySaturday, 11 March 2023
For almost half a century, from the mid-1960s until her death in 2021, Janet Malcolm was a staff writer on the New Yorker where her meticulous reporting and provocatively strong opinions... Read more... |
Nicole Flattery: Nothing Special review - returning to the FactoryWednesday, 08 March 2023
It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor... Read more... |
Will Harris: Brother Poem review - writing the poems that could have beenSaturday, 04 March 2023
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-... Read more... |
Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-linesThursday, 23 February 2023
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...
Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...
Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...
There’s a sense of cheerful abandon about Manchester Camerata’s ...
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...
There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...
In many ways, Laufey’s emotionally charged, sold-out...
What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...