sun 19/05/2024

Florence Hallett

Florence Hallett's picture
Bio
Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent

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The Courtauld Gallery - the old place, just better

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Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print

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The Making of Rodin, Tate Modern review - surrealist tendencies

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Turner's Modern World, Tate Britain review - the universal artist

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This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now)

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Prix Pictet: Confinement review - a year in photographs

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Artemisia, National Gallery review - worth the wait

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My Rembrandt review - hard cash and hubris

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Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance

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The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light

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Celia Paul: My Studio, Victoria Miro review - sublime isolation

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Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure

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Explore Soane review - the museum restored and in 3D

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Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more

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Christo (1935-2020) - 'Beauty, science and art will always triumph'

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Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...