sun 19/05/2024

Marianka Swain

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Bio
Marianka Swain is a London-based writer and editor. She is the UK Editor-in-Chief of BroadwayWorld, and also covers the arts for outlets such as the Ham & High and Islington Gazette newspapers, Dancing Times and MoveTo Town & Country magazines, and TodayTix. You can find further work on www.mkmswain.com or follow her on Twitter @mkmswain

Articles By Marianka Swain

Legally Blonde, Regent's Park Open Air Theatre review - a joyous Gen-Z musical makeover

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Moulin Rouge! The Musical, Piccadilly Theatre review - spectacular escapism

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

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Three Kings, Old Vic: In Camera review - Andrew Scott vividly evokes generational pain

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

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Hamilton, Disney+ review - puts us all in the room where it happened

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

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Cats, The Shows Must Go On review - a purr-fectly theatrical experience

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The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary unite

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

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Drawing the Line, Hampstead Theatre online review - modern history becomes dark farce

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

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Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiences

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I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

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Sondheim at 90 Songs: 1 - 'I'm Still Here'

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Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...