sun 19/05/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

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Stephen review - a breathtakingly good first feature by a multi-media artist

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Fantastic Machine review - photography's story from one camera to 45 billion

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

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The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

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Driving Mum review - a dark comedy that has you laughing out loud

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Sargent and Fashion, Tate Britain review - portraiture as a performance

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Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction

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Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

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The Settlers review - a western populated only by anti-heroes

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Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

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Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

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The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

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Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

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latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...

Bermondsey Tales: Fall of the Roman Empire review - dirty de...

What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...