mon 20/05/2024

tv

Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot

Adam Sweeting

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this Rebus redux, arriving nearly 25 years after the original first series began, screenwriter Gregory Burke has reworked the character as a younger Detective Sergeant, drawing on the spirit of Rankin’s original novels but with the author’s blessing to take the character somewhere new.

Read more...

Thank You, Goodnight: The Bon Jovi Story, Disney+ review - how the boy from Sayreville, NJ conquered the world

Adam Sweeting

To mark the 40th anniversary of New Jersey’s second-greatest gift to rock’n’roll, Disney+ have served up this sprawling four-part documentary which tells you more about Jon Bon Jovi and his band of brothers than you ever needed to know. Or, possibly, wanted to.

Read more...

Red Eye, ITV review - Anglo-Chinese relations tested in junk-food thriller

Adam Sweeting

Aircraft hijacking is a ghoulishly popular theme in films and TV, but Red Eye brings a slightly different twist to the perils of air travel. This time, North China Air’s Flight 357, from London to Beijing, hasn’t been hijacked, but it has become the scene of a string of inexplicable murders, carried out by unknown assassin(s) as it cruises at 40,000 feet.

Read more...

Blue Lights Series 2, BBC One review - still our best cop show despite a slacker structure

Helen Hawkins

The first season of Blue Nights was so close to police procedural perfection, it would be hard for season two to reach the same heights. Overall, it doesn’t, though there are still special moments.

Read more...

Baby Reindeer, Netflix review - a misery memoir disturbingly presented

Helen Hawkins

Richard Gadd won an Edinburgh Comedy Award in 2016 with material about being sexually abused by a man, in a set called Monkey See, Monkey Do that he performed on a treadmill with a gorilla at his back. 

Read more...

Anthracite, Netflix review - murderous mysteries in the French Alps

Adam Sweeting

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling French drama. Nonetheless, its story of a bizarre cult, a rapacious medical corporation and a trail of dead bodies stretching back through 30 years of history does somehow keep you coming back for more, if only to wonder how much more berserk proceedings can become.

Read more...

Ripley, Netflix review - Highsmith's horribly fascinating sociopath adrift in a sea of noir

Helen Hawkins

There would have to be a good reason for making another screen version of Patricia Highsmith’s 1955 novel The Talented Mr Ripley, already successfully adapted by Anthony Minghella in his 1999 film. 

Read more...

Scoop, Netflix review - revisiting a Right Royal nightmare

Adam Sweeting

What with the interminable Harry and Meghan saga, the death of the Queen and the recent health scares for Kate and King Chuck, this is just what the Royal Family needed – the exhumation of Prince Andrew’s catastrophic 2019 Newsnight interview with Emily Maitlis which probed his alarm-bell-jangling relationship with serial sexual abuser Jeffrey Epstein.

Read more...

RuPaul’s Drag Race UK vs the World Season 2, BBC Three review - fun, friendship and big talents

David Nice

In the finale of the latest RuPaul extravaganza to make it to the BBC, our hostess asks each of the competitors “why does the world need drag now more than ever?” The question needs detailed answers as increasingly more intense hate is hurled against the age-old art around the world, and it’s clear that the finals, at least when not all-American, are more a love-in than a competition.

Read more...

This Town, BBC One review - lurid melodrama in Eighties Brummieland

Adam Sweeting

Industrious screenwriter Steven Knight has brought us (among many other things) Peaky Blinders, SAS: Rogue Heroes and even Who Wants To Be a Millionaire?, but This Town may not be remembered as one of his finest hours. Here, we find Knight revisiting his Midlands background for a story that begins in 1981, during Margaret Thatcher’s first term as Prime Minister.

Read more...

Pages

 

latest in today

Rebus, BBC One review - revival of Ian Rankin's Scottis...

The previous incarnation of Ian Rankin’s Scottish detective on ITV starred, in their contrasting styles, John Hannah and Ken Stott. For this ...

Orchestre Révolutionnaire et Romantique, Sousa, St Martin-in...

Better (much better, indeed) late than never. The Orchestre Révolutionnaire et Romantique should have given their cycle of Beethoven symphonies at...

Clinton Baptiste, Touring review - spoof clairvoyant on grea...

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4....

Music Reissues Weekly: Andwella - To Dream

Original pressings of Love And Poetry sell for up to £2,800. Copies of the August 1969 debut album by Andwellas Dream can sometimes also...

Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...

There’s a sense of cheerful abandon about Manchester Camerata’s ...

Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...

Carmen, Glyndebourne review - total musical fusion

It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...

The Great Escape Festival 2024, Brighton review - a dip into...

Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...

Fawlty Towers: The Play, Apollo Theatre review - lightning s...

There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...

Laufey, Royal Albert Hall review - fans in heaven

In many ways, Laufey’s emotionally charged, sold-out...